Pencil, 8.5x11”
Pencil on coquille board, 8x10”.
Pencil; 9x12” (1975).
Pencil on coquille board, 8.5x11”. For a story by Tim Curran in his Bone Marrow Stew collection. (Thanks to Roger Dean)
Ink on newsprint, a high school class exercise, 6x9”.
Pencil, 8.5x11”
Pencil, 9x12”. This was scanned from the magazine page, since the original art was “lost at the printer.” Yeah, right.
Pencil, 9x12”
When I was sick with both strep and mononucleosis, my parents put me in a bed in the downstairs den. This chair was across the room. One clue I was recovering was this drawing.
Pencil and watercolor, 8.5x11”. I think this was the last commercial illustration piece I did before retiring (and then coming out of retirement three years later when I was offered the Gwendy’s Button Box project!).
Pencil, 9x12”
Ink, 8x10”. My son Justin posed for this. His teeth are actually just fine!
Pencil, 8.5x11”
Ink, 7x5”
Pencil on coquille board, 8x11”. For a novella by Jeff Strand.
Pencil on coquille Board, 8x10”
Pencil, 8x10”
Pencil, 11x8.5”. My son-in-law Mike posed his hand for this one. (Sold).
Pencil on coquille board, 8x10”.
Pencil on coquille board, 8.5x11”.
Pencil on coquille board, 8.5x11”
Pencil (with dabs of egg tempera), 14x20”
Pencil and watercolor on tracing paper, 11x8.5”. An intentional change of style, to suit the book.
Pencil, 8x10”
Pencil and laser copy toner on coquille board, 8x10”
Pencil, 11x8.5”
Pencil, 11x8.5”
Pencil on coquille board, 8x11”
Pencil; 12x16”
During college at SUC New Patlz, NY, I did some art and graphic design for a local college band called "Offering". This was a sketch for part of one of their posters. Art noveau- and Mucha-influenced, of course!
Pencil on coquille board, 8.5x11”
Pencil, 14x10”.
Pencil, 8.5x11”
Pencil on coquille board, 11x8”
Ink, 5x11”
Pencil, 8.5x11”
Pencil on coquille board,9x12”
Pencil on coquille board, 8.5x11”
Pencil on coquille board, 8.5x11”
Ink, 6x9”
Pencil, 8.5x11”
Pencil, 14x11”
Pencil & Ink, 8x10”
Ink, 8x10”.
Pencil, 8.5x11” (Verso side of a two-page spread)
Pencil, 8.5x11”; Facing page side of a two-page spread.
Pencil (with dabs of egg tempera), 12x16” (A preparatory sketch for a work-in-progress egg tempera painting “Poor Charley Midwich” This painting was lost somehow (!) when I transferred colleges, and the sketch was then used for the acrylic polymer painting of the same name, with nearly the same composition as the lost egg tempera, executed at the new college.
Pencil, two-page spread, 16x11”
Pencil, 8.5x11” (thank you Frank Schoonover)
Pencil on coquille board, 8.5x11”
Pencil, 8.5x11”.
Pencil, 11x14”
Pencil, 8.5x11”.
Silverpoint on Gesso Paper, 8x10”
Pencil, 8.5x11”. This is the only drawing I ever did with both of my children as models. (NFS)
Ink, 8.5x11”; thank you Aubrey Beardsley
Pencil, 8.5x11”
Pencil on coquille board, 8.5x11”. This illustration was replaced with another with an earlier-dated aircraft when the authors realized this particular aircraft, as originally described, post-dated the timeframe of their manuscript. (Sold)
Pencil and Ink, 8.5x11”. Can you tell I used a promotional photo of Tom Cruise as my source material?
Pencil, 9x12”. The nose is waaay too small.
Pencil Duotone, 7x9”
Ink, 7x9”
Pencil, 8.5x11”
Pencil; 16x12”
A preparatory sketch for a painting I did during my freshman year at the Hartford Art School, acrylic on panel. I was very much influenced by Edward Hopper, and was trying to push his boundries a bit. The painting was later broken in two during a playful dorm-room tussle between two friends of mine. So it goes.
Pencil on coquille board. For a story by Tim Curran for the aborted Cemetery Wine collection.
Pencil on coquille board, 8x10”.
Pencil on paper; 9x12”.
Pencil on coquille board, 8x10”.
Pencil on coquille board, 8x10”.
Pencil on coquille board, 8x10”.
Ink; 5x5”.
Ink; 8x9”
Ink; 8x10”